Mood:
Now Playing: Costume Ramblings
Topic: clothing
I've been costuming plays at a couple of community theatres for about 20 years. Never anything huge, like dragons; and my main skill is in adapting modern clothes to suggest period. Thank the goddess of costumes for "retro!"
I have learned a few things about theater costuming on a miniscule budget. I do work for a school, as well, so budget becomes very important there, too.
Currently, I'm working on a small production of Man of La Mancha. At the Sam Bass Community Theatre, every production is necessarily small. We tend toward minimalist sets, a lot of which have been downright ingenious.
The main consideration in costuming in such a space is the fact that there is very little distance between the actors and the audience.
But, back to what I've learned. First, in roughly chronological order, do not put a woman onstage in white flats, especially if the stage is at about eye-level. The audience becomes totally distracted, and carries away the impression of a woman with very large feet. Along with that, it is remarkably easy to upstage a character almost completely, by use of costume. An actess loves to hear from audience members that they were anticipating her next entrance, but the bloom goes off the rose a bit when that is followed by, "I couldn't wait to see what you'd come out in!"
One of the most important is the following: Actors: never, EVER piss off your costumer. The results can be very uncomfortable. I was in a show being costumed by a professional and very talented designer. From day one, the lead actress was very emphatic that she should have input into her costume choices. Not to put too fine a point upon it, she insisted on wearing a black gown. The director seemed unwilling to come right out and say, "No!" After some lame arguments, the costumer spoke up and said, "Oh, for heaven's sake! The set is going to be black; if you wear black, you'll disappear!" The actress retired with the sulks. The amazing thing was that when her costume was finally built, it required two dressers, its own undergarment, four safety pins, and nearly four minutes to get onto her, and when assembled, made her look twenty pounds heavier. It's OK for an actor to tell a costumer of any issues of import, such as a wool allergy. And issues of fit, if not apparent to the costumer, need to be brought to her attention. I fitted a boned dress onto a young actress recently, and had her ask if it could be taken in about half an inch. It looked fine to me, but I agreed to do it, thinking I had something of a prima donna on my hands. When I found out that she was a dancer, I realized that she was used to having structured costumes very tightly fitted. It's good to have actors comfortable, if possible.
It's raining again, and I'm gleefully watching the sweater I put out in the low spot in the back yard acquire the proper patina. It's almost time to turn it over and stomp on it some more. "Distressing" costumes is one of the little joys of the job.
Posted by ronni87
at 4:26 PM CST
Updated: Monday, January 31, 2005 12:17 PM CST